Les Années folles

Doucet: Wagneria (on Themes of Wagner)

Doucet: Griegiana (on Themes of Grieg)

Doucet: Hungaria (on Themes of Liszt)

Doucet: Isoldina (on Themes from Wagner's "Tristan und Isolde", WWV 90)

Doucet: Chopinata (on Themes of Chopin)

Taylor, G. E.: Dream of Love and You (after Liszt's Liebestraum in A-Flat Major, S. 541/3)

Henderson: Black Bottom

Doucet / ParŠs: Fatty Good Luck

Zamecnik: Polly

Wending / Berchman: Humoreskimo (on Themes of Dvorak)

De Cerhugira: Vem! Fidoka

Cavaquinho / Milano: Covanduihno

Doucet / ParŠs: Poor Little Thing

Wi‚ner: Brussels Blues

Youmans: Hallelujah! (after the Chorus from Act 2 of Youmans' Musical "Hit the Deck")

K lm n: Moritza (after K lm n's Operetta "Countess Maritza")

ParŠs / Van Parys: Moi je sais (after ParŠs and Van Parys' Operetta "Lulu")

ParŠs / Van Parys: N?essayons jamais de comprendre (after ParŠs and Van Parys' Operetta "La Petite Dame du Train Bleu")

Satie: Je te veux: Mod‚r‚ (Solo Piano Version by Satie)

Strauss, Josef: Les Hirondelles d?Autriche (after Josef Strauss' "Dorfschwalben aus ™sterreich", Op. 164)

Wi‚ner: Clement?s Charleston

ParŠs / Van Parys: Some Day

Gershwin: Sweet and Low Down (after "Sweet and Low Down" from Act 1 of Gershwin's Musical "Tip-Toes")

Gershwin: That Certain Feeling (after Tip-Toes and Steve's Duet "That Certain Feeling" from Act 1 of Gershwin's Musical "Tip-Toes")

Gershwin: Looking For a Boy (after Tip-Toes's Song "Looking For a Boy" from Act 1 of Gershwin's Musical "Tip-Toes")

Donaldson: That Certain Party

Doucet: La vache dans la cave

Woods: Poor Papa

Ellington: Jig-Walk

Doucet: Six-Cylinder Ragtime

Gershwin: O?Kay (after Kay's Song "Someone to Watch Over Me" from Act 2 of Gershwins' Musical "Oh, Kay!")

Gershwin: George Gershwin's Songbook: VIII. The Man I Love (Arr. for Piano Duet)

Ellis, V.: Over My Shoulders

Gershwin: Do-Do-Do (after Kay and Jimmy's Duet "Do-Do-Do" from Act 1 of Gershwins' Musical "Oh, Kay!")

Wi‚ner: The White Village

Henderson: Bye, Bye, Blackbird

Anonymous: Alexander?s Black Bottom

Gershwin: These Charming People (after the Trio "These Charming People" from Act 1 of Gershwin's Musical "Tip-Toes")

Swanstone: Naughty Blues

Arndt: Nola

Arndt: Marionnette

Donaldson: Yes Sir, That?s My Baby

Roberts, S. L.: What-Cha-Call-?em Blues

Wi‚ner: Three Balles Fifty

Whiting, R. A.: Ukelele Lady

Wi‚ner: Charleston Blues

Wi‚ner: Georgian?s Blues

Henderson: Alabamy Bound

Gay, B.: Just a Little Drink

Akst: Steppin? in Society

Gershwin: Why Do I Love You? (after the Song from Gershwin's Musical "Tell Me More")

Blake, E. / Sissle, N.: I Would Like to Know Why

Johnson, J. P. / Mack, C.: Charleston

Jaffe, M. / Bonx, N.: Collegiate

If You Knew Susie

DeSylva, B. G. / Meyer, J.: Got No Time

Whiting, R. A.: I Wonder Where My Baby Is Tonight

Doucet: Chopinata (on Themes of Chopin)

Wi‚ner: La le‡on de Charleston

Scotto: Si vous ˆtes?

Wi‚ner: Maurice Charleston

Penso: Quand je suis chez toi

Christin‚: Mon c?ur

Donaldson: Let?s Talk About My Sweetie

Friend, C.: Montrez-moi le! (adapted from "Then I?ll Be Happy")

ParŠs / Van Parys: Happy Charleston

Mercier / Cros: Pour vous, mesdames?

Donaldson: Mais o— est ma Zouzou? (adapted from "I Wonder Where My Baby Is Tonight")

ParŠs / Van Parys: Je l?sens?

Christin‚: Un bon mouvement

Nelson, R.: Je ne dis pas non

Youmans: Sometimes I?m Happy (after Loulou and Bilge's Duet from Act 1 of Youmans' Musical "Hit the Deck")

Youmans: Hallelujah! (after the Chorus from Act 2 of Youmans' Musical "Hit the Deck")

Philips: Piccadilly Strut

Meyer, J.: Blue River

Kern: Why Do I Love You? (after Gaylord and Magnolia's Duet from Act 2 of Kern's Musical "Show Boat")

Kern: Can?t Help Lovin? Dat Man (after Magnolia's Song from Act 1 of Kern's Musical "Show Boat")

K lm n: Ein kleiner Slowfox mit Mary (after Final Song from Epilogue of K lm n's Operetta "Die Herzogin von Chicago")

Packey: Poor Old Bum

Rodgers: Mimi (from Rouben Mamoulian's Musical Film "Love Me Tonight", 1932)

Mireille: Plus rien (Blues from the Francis Carco's Revue "Ces messieurs, dames")

Mireille: Depuis que je suis … Paris (adapted from Mireille and Nohain's Operetta "A la Belle BergŠre")

Stolz, R.: Mon chant d?amour est une valse (after the Aria by Stolz included in Benatzky's Operetta "L?Auberge du Cheval blanc")

Hupfeld: teignons tout et couchons-nous! (adapted from the Song "Let?s Put Out the Lights and Go to Sleep")

Mireille: Presque oui (from Mireille and Nohain album "Un mois de vacances", 1932)

Rodgers: The Blue Room

Mireille: Vous valez mieux qu?un sourire (from Julien Duvivier's Musical Film "L'Homme du jour", 1937)

Lenoir: Pars

Mozart: Sonata for 2 Pianos in D Major, K. 448/375a: I. Allegro con spirito

Mozart: Sonata for 2 Pianos in D Major, K. 448/375a: II. Andante

Mozart: Sonata for 2 Pianos in D Major, K. 448/375a: III. Molto allegro

Wi‚ner / Doucet: Gershwin Cocktail (on famous Themes of Gershwin)

Bach: Cantata "Wir danken dir, Gott, wir danken dir", BWV 29: No. 1, Sinfonia (Arr. for Piano Duet)

Bach: Organ Concerto No. 2 in A Minor, BWV 593 (after Vivaldi's Concerto for 2 Violins, Op. 3 No. 8, RV 522): III. Allegro (Arr. for Piano Duet)

Collazo: Garufa

Matos Rodr¡guez: La Cumparsita

Gershwin: Strike Up the Band (after the Song from Act 1 of Gershwin's Musical "Strike Up the Band")

Wi‚ner: Haarlem Blues

Strauss Jr., J.: Rˆve de printemps (after Johann Strauss Jr.'s "Frhlingsstimmen", Op. 410)

Handy: Haunting Blues

R‚gent / Gacon: O. K. Doc

R‚gent / Gacon: Put It On and Keep It

R‚gent / Gacon: D?You Take Me, Honey

R‚gent / Gacon: Night Cap

Gershwin: Why Do I Love You? (after the Song from Gershwin's Musical "Tell Me More")

Conrad: Continental (from Mark Sandrich's Musical Film "The Gay Divorcee", 1934)

Wi‚ner / Doucet: Souvenir du B?uf sur le Toit (after Milhaud's "Le B?uf sur le toit", Op. 58)

Wi‚ner: Rythmamba (from Jacques Natanson's Film "Le Clown Bux", 1935)

Handy: Saint Louis Blues

Porter: Love For Sale