Bigger Bach Set

Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903)

Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: ii. Fugue (BWV948)

Italian Concerto, BWV971: i. Allegro

Italian Concerto, BWV971: ii. Andante

Italian Concerto, BWV971: iii. Presto

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey)

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell him of the various misfortunes that may befall him abroad)

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends)

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His friends come, since they see that it must be)

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione

Sonatina, from Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit (Trinity), BWV106," arr. Friskin

Toccata in C Minor, BWV911

French Suite No. 3 in B Minor BWV814: i. Allemande

French Suite No. 3 in B Minor BWV814: ii. Courante

French Suite No. 3 in B Minor BWV814: iii. Sarabande

French Suite No. 3 in B Minor BWV814: iv. Menuet and Trio

French Suite No. 3 in B Minor BWV814: v. Gavotte

French Suite No. 3 in B Minor BWV814: vi. Gigue

French Suite No. 4 in E-flat Major, BWV815: i. Allemande

French Suite No. 4 in E-flat Major, BWV815: ii. Courante

French Suite No. 4 in E-flat Major, BWV815: iii. Sarabande

French Suite No. 4 in E-flat Major, BWV815: iv. Gavotte

French Suite No. 4 in E-flat Major, BWV815: v. Air

French Suite No. 4 in E-flat Major, BWV815: vi. Menuet

French Suite No. 4 in E-flat Major, BWV815: vii. Gigue

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake')

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein!

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl

Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein

Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt

Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor

Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt

Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht

Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: v. Recitative (Bass): Wohlan, des Todes Furcht und Schmerz

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: vi. Chorale: Wohlan, so will ich mich

Magnificat in D, BWV243: i. Coro: Magnificat anima mea

Magnificat in D, BWV243: ii. Aria: Et exsultavit spiritus meus

Magnificat in D, BWV243: iii. Aria: Quia respexit humilitatem

Magnificat in D, BWV243: iv. Coro: Omnes generationes

Magnificat in D, BWV243: v. Aria: Quia fecit mihi magna

Magnificat in D, BWV243: vi. Duetto: Et misericordia

Magnificat in D, BWV243: vii. Coro: Fecit potentiam

Magnificat in D, BWV243: viii. Aria: Deposuit potentes

Magnificat in D, BWV243: ix. Aria: Esurientes implevit bonis

Magnificat in D, BWV243: x. Terzetto: Suscepit Israel

Magnificat in D, BWV243: xi. Coro: Sicut locutus est

Magnificat in D, BWV243: xii. Coro: Gloria Patri

Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: i. Adagio

Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: ii. Allegro

Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iii. Andante

Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iv. Allegro

Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: i. Adagio

Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: ii. Allegro assai

Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iii. Andante un poco

No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iv. Presto

Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: i. Adagio

Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: ii. Allegro

Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iii. Adagio ma non tanto

Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iv. Allegro

Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: i. Siciliano

Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: ii. Allegro

Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iii. Adagio

Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iv. Allegro

Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: i. Largo

Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: ii. Allegro

Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iii. Adagio

Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iv. Vivace

Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: i. Allegro

Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: ii. Largo

Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iii. Allegro

Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iv. Adagio

Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: v. Allegro

Passion According to St. Matthew, BWV 244: 1. Chorus: Kommt, ihr Töchter, helft mir klagen

Passion According to St. Matthew, BWV 244: 2. Recitative (Evangelist, Jesus): Da Jesus diese Rede vollendet hatte

Passion According to St. Matthew, BWV 244: 3. Chorale: Herzliebster Jesu, was hast du verbrochen

Passion According to St. Matthew, BWV 244: 4. Recitative (Evangelist): Da versammelten sich die Hohenpriester

Passion According to St. Matthew, BWV 244: 5. Chorus: Ja nicht auf das Fest

Passion According to St. Matthew, BWV 244: 6. Recitative (Evangelist): Da nun Jesus war zu Bethanien

Passion According to St. Matthew, BWV 244: 7. Chorus: Wozu dienet dieser Unrath

Passion According to St. Matthew, BWV 244: 8. Recitative (Evangelist): Da das Jesus merkete

Passion According to St. Matthew, BWV 244: 9. Recitative (Alto): Du lieber Heiland du

Passion According to St. Matthew, BWV 244: 10. Aria (Alto): Buß und Reu

Passion According to St. Matthew, BWV 244: 11. Recitative (Evangelist, Judas): Da ging hin der Zwölfen einer

Passion According to St. Matthew, BWV 244: 12. Aria (Soprano): Blute nur, du liebes Herz

Passion According to St. Matthew, BWV 244: 13. Recitative (Evangelist): Aber am ersten Tage der süßen Brot

Passion According to St. Matthew, BWV 244: 14. Chorus: Wo willst du, daß wir dir bere

Passion According to St. Matthew, BWV 244: 15. Recitative (Evangelist, Jesus): Er sprach: Gehet hin in die Stadt

Passion According to St. Matthew, BWV 244: 16. Chorus: Herr, bin ich's?/ Chorale: Ich bin's, ich sollte büßfen

Passion According to St. Matthew, BWV 244: 17. Recitative (Evangelist, Jesus, Judas): Er antwortete und sprach: Der mit der Hand mit mir

Passion According to St. Matthew, BWV 244: 18. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt

Passion According to St. Matthew, BWV 244: 19. Aria (Soprano): Ich will dir mein Herze schenken

Passion According to St. Matthew, BWV 244: 20. Recitative (Evangelist, Jesus): Und da sie den Lobgesang gesprochen hatten

Passion According to St. Matthew, BWV 244: 21. Chorale: Erkenne mich, mein Hüter

Passion According to St. Matthew, BWV 244: 22. Recitative (Evangelist, Peter, Jesus): Petrus aber antwortete und sprach zu ihm

Passion According to St. Matthew, BWV 244: 23. Chorale: Ich will hier bei dir stehen

Passion According to St. Matthew, BWV 244: 24. Recitative: Da kam Jesus mit ihnen zu einem Hofe

Passion According to St. Matthew, BWV 244: 25. Recitative (Tenor, Chorus): O Schmerz! Hier zittert das gequälte Herz

Passion According to St. Matthew, BWV 244: 26. Aria (Tenor, Chorus): Ich will bei meinem Jesu wachen

Passion According to St. Matthew, BWV 244: 27. Recitative (Evangelist, Jesus): Und ging hin ein wenig

Passion According to St. Matthew, BWV 244: 28. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder

Passion According to St. Matthew, BWV 244: 29. Aria (Bass): Gerne will ich mich bequemen

Passion According to St. Matthew, BWV 244: 30. Recitative (Evangelist, Jesus): Und er kam zu seinen Jüngern

Passion According to St. Matthew, BWV 244: 31. Chorale: Was mein Gott will, das g'scheh allzeit

Passion According to St. Matthew, BWV 244: 32. Recitative (Evangelist, Jesus, Judas): Und er kam und fand sie aber schlafend

Passion According to St. Matthew, BWV 244: 33. Duet (Soprano, Alto, with Chorus): So ist mein Jesus nun gefangen / Chorus: Sind Blitze, sind Donner in Wolken verschwunden?

Passion According to St. Matthew, BWV 244: 34. Recitative (Evangelist, Jesus): Und siehe, einer aus denen, die mit Jesu waren

Passion According to St. Matthew, BWV 244: 35. Chorale: O Mensch, bewein dein Sünde groß

Passion According to St. Matthew, BWV 244: 36. Aria (Alto) and Chorus: Ach! nun ist mein Jesus hin

Passion According to St. Matthew, BWV 244: 37. Recitative (Evangelist): Die aber Jesum gegriffen hatten

Passion According to St. Matthew, BWV 244: 38. Chorale: Mir hat die Welt trüglich gerricht'

Passion According to St. Matthew, BWV 244: 39. Recitative (Evangelist, Witnesses, High Priest): Und wiewohl viel falsche Zeugen herzutraten

Passion According to St. Matthew, BWV 244: 40. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille

Passion According to St. Matthew, BWV 244: 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen!

Passion According to St. Matthew, BWV 244: 42 Recitative (Evangelist, High Priest, Jesus): Und der Hohepriester antwortete / Chorus: Er ist des Todes schuldig

Passion According to St. Matthew, BWV 244: 43. Recitative (Evangelist): Da speieten sie aus / Chorus: Weissage uns, Christe

Passion According to St. Matthew, BWV 244: 44. Chorale: Wer hat dich so geschlagen

Passion According to St. Matthew, BWV 244: 45. Recitative (Evangelist, Mary Magdalene, Peter): Petrus aber saß draußen im Palast / Chorus: Wahrlich, du bist auch einer von denen

Passion According to St. Matthew, BWV 244: 46. Recitative (Tenor, Bass): Da hub er an, sich zu verfluchen

Passion According to St. Matthew, BWV 244: 47. Aria (Alto): Erbarme dich, mein Gott

Passion According to St. Matthew, BWV 244: 48. Chorale: Bin ich gleich von der gewichen

Passion According to St. Matthew, BWV 244: 49. Recitative (Evangelist, Judas): Des Morgens aber hielten alle Hohepriester / Chorus: Was gehet uns das an / Chorus: Was gehet uns das an

Passion According to St. Matthew, BWV 244: 50. Recitative (Evangelist, High Priests): Und er warf die Silberlinge in den Tempel

Passion According to St. Matthew, BWV 244: 51. Aria (Bass): Gebt mir meinen Jesum wieder

Passion According to St. Matthew, BWV 244: 52. Recitative (Evangelist, Pilate, Jesus): Sie hielten aber einen Rat

Passion According to St. Matthew, BWV 244: 53. Chorale: Befiehl du deine Wege

Passion According to St. Matthew, BWV 244: 54. Recitative (Evangelist, Pilate, Pilate's Wife): Auf das Fest aber hatte der Landpfleger Gewohnheit / Chorus: Laß ihn kreuzigen!

Passion According to St. Matthew, BWV 244: 55. Chorale: Wie wunderbarlich ist doch diese Strafe!

Passion According to St. Matthew, BWV 244: 56. Recitative (Evangelist, Pilate): Der Landpfleger sagte

Passion According to St. Matthew, BWV 244: 57. Recitative (Soprano): Er hat uns allen wohlgetan

Passion According to St. Matthew, BWV 244: 58. Aria (Soprano): Aus Liebe will mein Heiland sterben

Passion According to St. Matthew, BWV 244: 59. Recitative: Sie schrieen aber noch mehr / Chorus: Laß ihn kreuzigen / Recitative: Da aber Pilatus sahe / Chorus: Sein Blut komme über uns / Recitative: Da gab er ihnen Barrabam los

Passion According to St. Matthew, BWV 244: 60. Recitative (Alto): Erbarm es Gott!

Passion According to St. Matthew, BWV 244: 61. Aria (Alto): Können Tränen meiner Wangen

Passion According to St. Matthew, BWV 244: 62. Recitative (Evangelist): Da nahmen die Kriegsknechte; Chorus: Gegrüßet seist du, Judenkönig

Passion According to St. Matthew, BWV 244: 63. Chorale: O Haupt voll Blut und Wunden

Passion According to St. Matthew, BWV 244: 64. Recitative (Evangelist): Und da sie ihn verspottet hatten

Passion According to St. Matthew, BWV 244: 65. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut

Passion According to St. Matthew, BWV 244: 66. Aria (Bass): Komm, süßes Kreuz, so will ich sagen

Passion According to St. Matthew, BWV 244: 67. Recitative (Evangelist): Und da sie an die Stätte kamen; / Chorus: Der du den Tempel Gottes zerbrichst

Passion According to St. Matthew, BWV 244: 68. Recitative (Evangelist): Desgleichen schmäheten ihn auch die Mörder / Chorus: Andern hat er geholfen

Passion According to St. Matthew, BWV 244: 69. Recitative (Alto): Ach Golgatha, unselges Golgatha!

Passion According to St. Matthew, BWV 244: 70. Aria (Alto) and Chorus: Sehet, Jesus hat die Hand

Passion According to St. Matthew, BWV 244: 71. Recitative: Und von der sechsten Stunde an / Chorus: Der rufet dem Elias / Recitative: Und bald lief einer unter ihnen / Chorus: Halt, laß sehen / Recitative: Aber, Jesus schriee

Passion According to St. Matthew, BWV 244: 72. Chorale: Wenn ich einmal soll scheiden

Passion According to St. Matthew, BWV 244: 73. Recitative (Evangelist): Und siehe da, der Vorhang im Tempel zerriß / Chorus: Wahrlich, dieser ist Gottes Sohn gewesen / Recitative (Evangelist): Und es waren viel Weiber da

Passion According to St. Matthew, BWV 244: 74. Recitative (Bass): Am Abend, da es kühle war

Passion According to St. Matthew, BWV 244: 75. Aria (Bass): Mache dich, mein Herze, rein

Passion According to St. Matthew, BWV 244: 76. Recitative (Evangelist): Und Joseph nahm den Leib / Chorus: Herr, wir haben gedacht / Recitative: Pilatus sprach zu ihnen

Passion According to St. Matthew, BWV 244: 77. Recitative (Bass, Tenor, Alto, Soprano, Chorus): Nun ist der Herr zur Ruh gebracht

Passion According to St. Matthew, BWV 244: 78. Chorus: Wir setzen uns mit Tränen nieder

Sonata in A Major for Flute and Harpsichord, BWV 1032: i. Vivace

Sonata in A Major for Flute and Harpsichord, BWV 1032: ii. Largo e dolce

Sonata in A Major for Flute and Harpsichord, BWV 1032: iii. Allegro

Sonata in A Major for Flute and Harpsichord, BWV 1020: i. [Allegro]

Sonata in A Major for Flute and Harpsichord, BWV 1020: ii. Adagio

Sonata in A Major for Flute and Harpsichord, BWV 1020: iii. Allegro

Partita in A Minor for Solo Flute, BWV 1013: i. Allemande

Partita in A Minor for Solo Flute, BWV 1013: ii. Corrente

Partita in A Minor for Solo Flute, BWV 1013: iii. Sarabande

Partita in A Minor for Solo Flute, BWV 1013: iv. Bourree Anglaise

Sonata in E Major for Flute and Harpsichord, BWV 1035: i. Adagio ma non tanto

Sonata in E Major for Flute and Harpsichord, BWV 1035: ii. Allegro

Sonata in E Major for Flute and Harpsichord, BWV 1035: iii. Siciliano

Sonata in E Major for Flute and Harpsichord, BWV 1035: iv. Allegro assaid

Sonata in C Major for Flute and Basso Continuo, BWV 1033: i. Andante - Presto - Allegro

Sonata in C Major for Flute and Basso Continuo, BWV 1033: ii. Adagio - Menuets 1 & 2

Sonata in E Minor for Flute and Basso Continuo, BWV 1034: i. Adagio ma non tanto

Sonata in E Minor for Flute and Basso Continuo, BWV 1034: ii. Allegro

Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iii. Andante

Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iv. Allegro

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: i. Aria (Soprano): Weichet nur, betrubte Schatten

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ii. Recitative (Soprano): Die Welt wird wieder neu

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iii. Aria (Soprano): Phoebus eilt mit schnellen Pferden

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iv. Recitative (Soprano): Drum sucht auch Amor sein Vergnugen

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: v. Aria (Soprano): Wenn die Fruhlingslufte streichen

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vi. Recitative (Soprano): Und dieses ist das Glucke

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vii. Aria (Soprano): Sich uben im Lieben, in Scherzen sich herzen

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: viii. Recitative (Soprano): So wei das Band der keuschen Liebe

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ix. Gavotte (Soprano): Sehet in Zufriedenheit tausend helle Wohlfahrstage

Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: i. Sinfonia in B-minor (feat. Helmut Wobisch, Rudolf Streng, Josef Nebois & Wilhelm Hubner)

Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: ii. Recitative (Soprano): Non sa che sia dolore (feat. Wilhelm Hubner, Rudolf Streng, Helmut Wobisch & Josef Nebois)

Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iii. Aria (Soprano): Parti pur, e con dolore (feat. Wilhelm Hubner, Helmut Wobisch, Rudolf Streng & Josef Nebois)

Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iv. Recitative (Soprano): Tuo saver al tempo e l'eta contrasta (feat. Rudolf Streng, Josef Nebois, Wilhelm Hubner & Helmut Wobisch)