Hair (Original Broadway / Off-Broadway Cast Recordings)

2:55

2

Donna

2:16

3

Hashish

0:59

4

Sodomy

0:56

5

Colored Spade

Lamont Washington

1:13

6

Manchester England

Lamont Washington & Melba Moore

1:21

7

I'm Black

Lamont Washington, James Rado & Gerome Ragni

0:28

8

Ain't Got No

0:46

9

I Believe in Love

Melba Moore

1:08

10

Ain't Got No (Reprise)

1:17

11

Air

Sally Eaton, Melba Moore & Shelley Plimpton

1:31

12

Initials

0:57

13

I Got Life

3:09

14

Going Down

2:22

15

Hair

3:02

16

My Conviction

Jonathan Kramer

1:42

17

Easy to Be Hard

Lynn Kellogg

2:41

18

Don't Put It Down

2:04

19

Frank Mills

Shelley Plimpton

2:10

20

Be-In

3:09

21

Where Do I Go?

2:43

22

Electric Blues

Paul Jabara

2:36

23

Manchester England (Reprise)

0:33

24

Black Boys

Diane Keaton, Natalie Mosco & Suzannah Norstrand

1:11

25

White Boys

Melba Moore

2:30

26

Walking in Space

4:51

27

Abie Baby

Lamont Washington

2:45

28

Three-Five-Zero-Zero

3:11

29

What a Piece of Work Is Man / Walking in Space (Reprise)

Walter Harris & Company

2:24

30

Good Morning Starshine

Lynn Kellogg, James Rado & Gerome Ragni

2:34

31

The Bed

2:58

32

The Flesh Failures (Let the Sunshine In)

James Rado, Lynn Kellogg & Melba Moore

3:40

33

Ain't Got No

Walker Daniels, Gerome Ragni, Steve Dean & Arnold Wilkerson

1:23

34

I Got Life

2:50

35

Air

Jonelle Allen, Shelley Plimpton & Sally Eaton

1:32

36

Going Down

2:40

37

Hair

Walker Daniels & Gerome Ragni

3:09

38

Dead End

Jill O'Hara

2:39

39

Frank Mills

Shelley Plimpton

1:54

40

Hare Krishna

3:22

41

Where Do I Go?

3:01

42

Electric Blues

Paul Jabara

2:33

43

Easy to Be Hard

Paul Jabara

2:09

44

Manchester

1:15

45

White Boys

Jonelle Allen & Susan Batson

2:38

46

Black Boys

Shelley Plimpton

1:06

47

Walking in Space

4:23

48

Aquarius

2:18

49

Good Morning Starshine

Jill O'Hara

3:53

50

Exanaplanetooch

Hair Band (1967) & Galt MacDermot

2:38

51

The Climax

Jill O'Hara

1:52

52

Opening

2:28

53

Red Blue and White

1:45

54

Sentimental Ending

1:30

55

Galt MacDermot Interview: How Did You Become Involved with Hair?

1:08

56

Galt MacDermot Interview: What Do You Remember About the Off-Broadway Cast Recording?

0:33

57

Galt MacDermot Interview: And the Broadway Cast Recording?

0:31

58

Galt MacDermot Interview: In the Recording Session Photos, You Were the Only Person Wearing a Jacket and Tie

0:14

59

Galt MacDermot Interview: How Did the Two Productions Differ?

1:14

60

Galt MacDermot Interview: You Were Not a Traditional Theater Composer. Did You Have Any Models or Influences?

0:52

61

Galt MacDermot Interview: Did Hair Influence Your Later Work, Like Two Gentlemen of Verona?

0:43

62

Galt MacDermot Interview: Hair Was Controversial With Critics and the Public. Did This Affect You at All?

0:40

63

Galt MacDermot Interview: On Writing for the Theater, and What Makes a Popular Song

0:57

64

Galt MacDermot Interview: Did You Ever Rewrite Any of the Hair Songs?

0:24

65

Galt MacDermot Interview: What Sort of Music Do You Write Now?

0:24

66

Galt MacDermot Interview: Do You Use Synthesizers?

0:21

67

Galt MacDermot Interview: Have You Any Advice for People Who Want to Write for Musical Theater?

0:31

68

Galt MacDermot Interview: Does Any One Songs in Hair Express Your Philosophy?