
Juan Leovigildo Brouwer Mezquida (born March 1, 1939 in Havana) is a Cuban composer, conductor and guitarist. He is the grandson of Cuban composer Ernestina Lecuona Casado. Brouwer's early works show the influence of Cuban folk music, but during the 1960s and 70s, he became interested in the music of modernist composers such as Luigi Nono and Iannis Xenakis, using indeterminacy in works such as Sonograma I. Other works from this period include the guitar pieces Canticum (1968), La espiral eterna (1971), Parábola (1973) and Tarantos (1974). More recently, Brouwer's works have started leaning towards tonality and modality. The solo guitar works El Decamerón Negro (1981) the Sonata (1990; for Julian Bream) and Paisaje cubano con campanas (1986) exemplify this tendency. Among his works are a large number of solo guitar pieces, several guitar concertos and over forty film scores. Leo Brouwer is involved in the "Concurso y Festival Internacional de Guitarra de la Habana" (International Guitar Festival of the Havana). He travels often to attend guitar festivals throughout the world, and especially to other Latin American countries. http://en.wikipedia.org/wiki/Leo_Brouwer