
Lucia Popp (born Lucia Poppová) (November 12, 1939 Záhorská Ves, Slovakia - November 16, 1993 Munich, Germany) was a noted Slovak operatic soprano. She began her career as a soubrette soprano, and later moved into the light-lyric and lyric coloratura soprano repertoire and then the lighter Richard Strauss and Wagner operas. Her career included performances at Vienna State Opera, the Metropolitan Opera, Covent Garden, and La Scala. Popp was also a highly-regarded recitalist and lieder singer. Popp initially entered the Bratislava Academy to study drama. While she began her vocal lessons during this period as a mezzo-soprano, her voice developed a high upper register to the degree that her professional debut was as Mozart's Queen of the Night in Die Zauberflöte in Bratislava, a role she revived in a 1963 production directed by Otto Klemperer. In 1963, Herbert von Karajan invited her to join the Vienna State Opera, where she debuted as Barbarina in Mozart's Le nozze di Figaro. Popp had strong ties to the Vienna State Opera throughout her career, and in 1979 was named an Austrian "Kammersängerin". She made her Covent Garden debut in 1966 as Oscar in Verdi's Un ballo in maschera, and her Metropolitan Opera debut in 1967 as the Queen of the Night (production designed by Marc Chagall). During the 1970s, Popp turned from coloratura roles to lyric ones. Then, in the 1980s, she added heavier roles to her repertoire, such as Eva in Wagner's Die Meistersinger von Nürnberg. As a result of this vocal progression, Popp sang various roles in the same opera at different stages in her career, including Zdenka and Arabella in Richard Strauss's Arabella; Susanna and Contessa in Mozart's Le nozze di Figaro; Queen of the Night and Pamina in Mozart's Die Zauberflöte; Zerlina, Donna Elvira, and later Donna Anna in Mozart's Don Giovanni; Adele and Rosalinde in Johann Strauss II's Die Fledermaus; Annchen and Agathe in Weber's Der Freischütz; and Sophie and the Marschallin in Richard Strauss's Der Rosenkavalier.