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Lodovico Viadana was one of the important composers of the early Baroque and a significant figure in the development of sacred choral music. The playlist includes a complete performance of the four-part setting, as well as individual videos highlighting each vocal part: 🎶 Full Choir — SATB All four voices singing together, rendered with Cantai, as an experiment with this AI. 🎵 Soprano The soprano part is emphasized while the other voices remain audible in the background. 🎵 Alto The alto part is emphasized while the other voices remain audible in the background. 🎵 Tenor The tenor part is emphasized while the other voices remain audible in the background. 🎵 Bass The bass part is emphasized while the other voices remain audible in the background. These recordings are intended as a rehearsal and learning resource for choirs, singers, and directors, making it easier to learn each individual part while also hearing how it fits within the complete four-part setting. Exultati Justi in Domino offers a beautiful example of sacred polyphony in which each voice contributes to the proclamation of the text while forming a unified musical prayer. Music: Lodovico Viadana (c. 1560–1627) Text: Psalm 32 (33) LATIN: Exsultate, iusti, in Domino; rectos decet collaudatio. Confitemini Domino in cithara, in psalterio decem chordarum psallite illi. Cantate ei canticum novum, bene psallite ei in vociferatione. ENGLISH Rejoice, you just, in the LORD; praise from the upright is fitting. Give thanks to the LORD on the harp; on the ten-stringed lyre offer praise. Sing to God a new song; skillfully play with joyful chant. ESPAÑOL: Aclamad, justos, al Señor, que merece la alabanza de los buenos. Dad gracias al Señor con la cítara, tocad en su honor el arpa de diez cuerdas; cantadle un cántico nuevo, acompañando los vítores con bordones.