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15-EDO will, believe it or not, break the standard of reluctance towards microtonal music, or so it did in my experience at least. 5/8th tones we got with this, and as you may have read from me elsewhere, our inner math easily finds comfort in there, recognizing the proportion even where the feeling of each interval themselves is new to one's ears. I've had convos with people where they would point me out to 15-edo being very effective in composing emotionally-charged pieces... My first track ever heard to use 15-tone equal temperament is Fifteen by Sevish https://www.youtube.com/watch?v=rPmuK..., and my 2nd is probably Enthalpic by Xolta (who was then named Scifrk) Using my Browser-Based Isomorphic Hex Keyboard @ https://www.handsearseyes.fun/Ears/He... , I play different 15-EDO scales up and down in the first minute of the video, in between improvisation passages that may or not have been edited, comprised or chords and or melodies played either from the keyboard, by mouse, or a mix of the 2 sometimes... I now tend to think a little bit more and get the hang of each chord changes for 10 seconds before I come to the part i keep in the final mix, while I still do complete 1 to 3 minutes without edits also, depending on how well I damp into that particular scale... The scales were taken from the musical modes list found @ https://www.huygens-fokker.org/docs/m..., which is itself based on Scala's database of tunings... I have in my turn revamped this list to make it clearer and hold more info on each scales @ https://www.handsearseyes.fun/Ears/Re...