First conceived in 1999, The Caretaker is Manchester-born Leyland James Kirby’s longest-running, best-known project, with almost a dozen, frequently lengthy albums to its name. Kirby – an exceptional, innovative ambient musician who, under different aliases, has constantly redefined himself in multiple ways – uses treated, manipulated and otherwise degrading samples of 1920s and 1930s ballroom recordings to explore ideas of memory and its gradual deterioration, as well as the confusing and, on occasion, conflicting senses of nostalgia and melancholia which can accompany this. Previously released on vinyl and CD via Kirby’s ‘History Always Favours The Winners’ label, The Caretaker’s works have received critical acclaim worldwide but until now his catalogue has been wholly unavailable on streaming platforms. LEITER puts this right, starting with his most recent masterpiece, the six-part ‘Everywhere at the end of time’.