Aisha Vaughan

Welsh musician Aisha Vaughan presents The Gate. It is upon us to renew the deep-cut, heavy-weighted melancholy of Celtic New Age for 2024. New Age music from the Celtic/British Isles crossed over into the mainstream in the late 80s - notably with Enya (and her band Clannad), the perhaps now lesser-known instrumental Celtic harp music of Patrick Ball, and the slew of now mostly forgotten various artist compilations that saturated the New Age CD and cassette music market in the early 90s. The Gate earnestly gives reverence to the landscape that she calls home (as cinematically portrayed consistently in Vaughan’s self-shot videos via her social media). Now living in converted barn in mid-Wales, Vaughan writes and records her music to red kites and eagles hunting in the mountains outside her windows. The notably welcomed layers of ASMR sound design and computer music production supplement the main instrument here - her voice - woven within campfire crackle, wind chime, cricket, bird, harp, flute, synthesizer pad & sfx, and new moon wolf howl to channel celestial guides conjured from her remote homeland. Using composition as catharsis stemming from a traumatic upbringing where music was banned in her childhood household, and the inherent occult history that surrounds the art form, Vaughan does not shy away from precisely stewarding this particular - often still-overlooked - musical tradition through her generation’s ambient lens.