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Hanoi-born Tran Uy Duc slips between deconstructed club, musique concrète, and bedroom pop. A blend of an early embrace of metallic noise informed by their father’s sculpture-making, and Western algorithmic pop meeting experimental R&B, their music is both a one-time experience and a read-aloud personal note, where radicals are the model for the moodies, and lyrical instantaneity becomes a mode of queer freedom. Since 2023, they have run and organised local platform hanoi bedroom shows, centering DIY practices and artistic autonomy in the country.
